A live recording that captures James in his element, relaxed and inventive.
Bob James made his name as a session player and studio arranger, which meant his best work often happened behind the scenes or filtered through other people's records. This live set at the Milliken Auditorium shows you what he actually sounds like when he gets to lead — and it's looser, funkier, and more playful than you might expect from his buttoned-up reputation. The piano work here has real swing to it, less about perfect execution and more about conversation with the band. You hear him thinking through these songs in real time, which is the whole point of live jazz.
What makes this recording special is how unglamorous it is. There's no attempt to make this sound polished or processed. You get the room, the audience, the occasional cough or shuffle. The material ranges from standards to original compositions, and James doesn't differentiate much — he treats everything as an opportunity to explore texture and rhythm. The trio format (or whatever the working group was) keeps things intimate, which works in the record's favor. There's nowhere to hide, but James doesn't seem interested in hiding anyway. He's engaged, responsive, and genuinely swinging.
This isn't where you start with James if you want to understand his commercial success or his arrangement genius. But it's exactly where you go when you want to hear him as a jazz musician first — someone who plays piano because he loves the instrument, not because it's a means to some larger production. It's a snapshot of a working jazz player doing what he does best, night after night, in rooms like this one.