A rare glimpse of Bengt Frippe Nordström, captured months before his death, in focused and urgent music.
This live date matters most for what it preserves. Bengt Frippe Nordström, the Swedish saxophonist who appears on the first three tracks, died several months after this March 2000 concert at the Glenn Miller Café in Stockholm. These duets with drummer Sunny Murray—no horns doubling, no safety net—stand as one of the few documented records of Nordström's playing, making the album an inadvertent memorial. The sound is clear and immediate, which matters; you hear two players listening hard to each other, responding in real time.
Arthur Doyle enters on track four, bringing his restless energy on tenor and flute. AllMusic reviewer Steve Loewy noted this is "one of Doyle's better-recorded displays," and there's truth in that. Doyle's reputation rests partly on uneven documentation, but here Murray holds him steady—the drummer's sharp, attentive touch keeps Doyle's intensity focused rather than scattered. The three of them together don't smooth anything out; the music stays angular and probing, never settling into grooves. The recording itself is clean for a live session, which lets you track each voice without guessing.
This won't appeal to listeners seeking swing comfort or harmonic clarity. But for those who value avant-garde saxophone from this era—the European free scene where Doyle had found steady work—it's essential. Nordström's brief presence lifts it beyond a standard Doyle document into something more poignant.