Where do you listen?
Choose your streaming service
inside the sleeve
Loading…
inside the sleeveITS
⌕
Read About

♫

Facts
Connections
Read more

Discography

Collaborations

Live on Youtube

Explore Further

Selected connections
2020 · Album

All Rise

↑ Gregory Porter

Blue Note and Decca Records · Produced by Troy Miller and Kamau Kenyatta · Released: August 28, 2020
All Rise

When Gregory Porter's Moment Finally Arrived

All Rise landed as a fully formed statement from an artist at the height of his powers.

All Rise arrived in August 2020 to immediate and sustained critical attention. This was no slow-burn discovery or cult record — critics noticed right away. Hot Press gave it five stars. AllMusic awarded 4.5 out of 5. The Arts Desk, Evening Standard, and Jazzwise all settled on four stars. Even the more measured responses acknowledged something substantial. The album charted across Europe and earned a Grammy nomination for Best R&B Album at the 63rd Annual Awards, cementing its reach beyond jazz circles alone.

By this point, Porter had refined his approach into something unmistakable: orchestral arrangements that sit somewhere between jazz sophistication and soul warmth, built on a rhythm section anchored by Jahmal Nichols and Chris Hill on bass. The horn section — Graeme Blevins on baritone saxophone, James Gardiner-Bateman on tenor, Tom Rees-Roberts and Chris Storr on trumpets, and Trevor Mires on trombone — moves with precision, never cluttering the space. Chip Crawford on piano keeps everything grounded. The production by Troy Miller and Kamau Kenyatta lets Porter's voice sit front and center, which is exactly where it belongs.

This is Porter doing what he does best: confident, unhurried, backed by musicians who understand restraint. All Rise is not a departure or a reinvention. It's the sound of someone who knows who he is and has the resources and collaborators to execute that vision cleanly. It charted because people heard it and wanted to own it.

Who's playing
Jahmal Nicholsbass
Chris Hillbass
Patrick Laurencedouble bass
José Moreiradouble bass
Colin Parisdouble bass
Chip Crawfordpiano
Femi Temowoguitar
Graeme Blevinsbaritone saxophone
James Gardiner‐Batemantenor saxophone
Jim Hunttenor saxophone
Andy Rossalto saxophone
Tivon Pennicottsoprano saxophone
Tom Rees‐Robertstrumpet
Chris Storrtrumpet
Trevor Mirestrombone
Ondřej PivecHammond organ
Emanuel Harrolddrums
Troy Millerpercussion
Miles Bouldcongas
Oli Rockbergerhandclaps
David Albermanviolin
David Ballesterosviolin
Alastair Blaydencello
Laure Le Danteccello
Laura Dixonviolin
Clare Duckworthviolin
Lander Echevarriaviola
Carol Ellaviola
Tim Gillcello
Giovanni Guzzoguest, violin
Gillianne Haddowviola
Malcolm Johnstonviola
Hilary Jonescello
Maxine Kwok‐Adamsviolin
Claire Parfittviolin
Elizabeth Pigramviolin
Csilla Pogányviolin
Jennie Poundercello
Sarah Quinnviolin
Colin Renwickviolin
Amanda Truelovecello
Robert Turnerviola
Miya Väisänenviolin
Edward Vandersparviola
Sylvain Vasseurviolin
Rhys Watkinsviolin
Listen next
By Gregory Porter
Liquid Spirit 2013
More Soul Jazz
WomanChild 2013
Cécile McLorin Salvant
Recording Info
Track listing
1Concorde3:55
2Dad Gone Thing5:02
3Revival Song3:35
4If Love Is Overrated5:54
5Faith in Love4:56
6Merchants of Paradise6:03
7Long List of Troubles4:15
8Mister Holland3:24
9Modern Day Apprentice2:54
10Everything You Touch Is Gold6:03
11Phoenix4:45
12Merry Go Round5:26
13Thank You5:20
Musicians
Further Reading
Read more

Where next?

More by Gregory Porter
Liquid Spirit 2013
Take Me to the Alley 2016
Nat “King” Cole & Me 2017
One Night Only: Live At The Royal Albert Hall 2018
All 11 albums →
More Soul Jazz
WomanChild 2013
Cécile McLorin Salvant
The New Cool 2015
Bob James
The Holy Barbarian, St. Louis, 1959 2012
Grant Green
Nexus 2015
Pat Martino
All 103 Soul Jazz artists →

More by this artist

Albums with the same musicians

From the same era

Similar artists

inside the sleeve
Growing
Jazz, explained without pretension.
Read · Follow the connections · Press play
Right now: 7,100+ albums · 440+ artists
Start here
New to jazz? These artists are good places to start.
Loading…
Explore
Nine records worth getting lost in.
Born today
Album of the day
A landmark record, every day.
Read
  • Loading…
Article archive →
Recently added
Purpose
Inside the Sleeve is your companion on a journey through jazz — not a textbook, but something closer to a knowledgeable friend sitting next to you while you listen. Read about an artist, press play, follow a connection, discover an album you didn't know you needed.
Suggestions
Read

Articles

Essays, guides, and lists about jazz and the records that matter.

Loading…

Genre

Key Artists
Further Reading

Essential Albums

Related Genres

In This Genre

About

Inside the Sleeve

Work in progress

Inside the Sleeve grows continuously — new artists and albums are added, essays refined, as visitors explore and our editors follow up on what they find. Content, features, and design are still evolving; use the Report error button on any page to flag something that seems off.

Content

Every artist, album, and release date on Inside the Sleeve is real — verified against trusted sources including MusicBrainz and Wikipedia. We don't invent discographies or fabricate records. AI compiles that verified information into readable prose — essays on artists, albums, and the music itself. We can't manually review every essay before publishing, but every reported error is checked by a human editor.

Inside the Sleeve is not a review site. We're not here to rate or rank — we're here to guide you in. Where an album stands out, we'll say so. Where an artist changed everything, you'll know why. But we won't tear anything down. Jazz history is complex and sources sometimes disagree — if you spot something that seems off, please report it.

Streaming

Inside the Sleeve links to Spotify and Apple Music so you can listen while you read. These are not affiliate links. For Spotify, links open a search on open.spotify.com — we do not have direct links to specific recordings. For Apple Music, direct links are used where available, otherwise a search is opened.

Your choice of streaming service is stored locally in your browser only. It is never sent to our servers.

We're working on deeper Spotify integration, including direct links to specific recordings.

Privacy

Inside the Sleeve does not collect personal data and does not use cookies. We count page visits anonymously using a self-hosted analytics tool — no personal identifiers are stored, and the data never leaves our own server. The only preference stored on your device is your streaming service choice, saved locally in your browser and never transmitted.

When you submit a suggestion or error report, the text you write is stored in our database. No name or email is required or collected unless you choose to provide one.

Third-party services

Spotify and Apple Music are independent services with their own terms of use and privacy policies. Inside the Sleeve is not affiliated with or endorsed by either company.

Support

Inside the Sleeve is free and ad-free. If you enjoy it, a coffee helps cover server costs and keeps the project going.

Amazon

Some book recommendations on Inside the Sleeve link to Amazon. Buying through these links costs you nothing extra — but Amazon pays us a small commission, which goes directly towards keeping the site running. It's a simple way to support the project if you were going to buy the book anyway.

As an Amazon Associate, Inside the Sleeve earns from qualifying purchases.

Questions or feedback? Use the suggestion box on the front page.

Inside the Sleeve — A guide for those who want to go beyond the obvious About & Privacy