Carrington flexes her musical muscle more boldly here than on previous recordings, everyone playing at the top of their game.
Terri Lyne Carrington leads here, not as a sideman but as composer and bandleader orchestrating a specific sound. By this point in her career she had worked with everyone — mainstream and avant-garde alike — and Structure captures her claiming full authorship. She brought together Adam Rogers, Jimmy Haslip, and Greg Osby, musicians who had not previously played as a unit, and the freshness shows. There's no settling into familiar grooves. Instead the record pivots between overt funk pieces, brooding ballads, and the sharp attack of a track called Fire. The music stays unpredictable without sounding scattered.
What distinguishes this from other contemporary funk-jazz is the compositional control. Carrington's drumming doesn't just keep time; it shapes the conversations happening around her. Rogers' guitar work is melodic but textured, Haslip holds the low end with precision, and Osby's alto saxophone voice is plaintive one moment, angular the next. There's real listening happening between these four.
Structure works as both a showcase for Carrington's abilities as a leader and a statement that disciplined players from different worlds can create something cohesive on first meeting. It's the sound of someone confident enough to assemble the exact musicians needed for her vision and trust them to deliver.